Artists to Watch
Bonnie Gangelhoff
Our picks for today's rising stars
![]() TRANQUILITY BY KYLE PALIOTTO |
Danny Heller has always been interested in suburban imagery—older cars, commercial buildings, and homes that evoke a timeless quality. So it comes as no surprise that after graduating from the University of California at Santa Barbara in 2004, he began seeing the San Fernando Valley, where he grew up, with a fresh eye. In his first show at Terrence Rogers Fine Art this summer, Heller’s paintings depicted the mid-century homes of his youth in “the Valley”—residences with a design popularized by developer Joseph Eichler from 1950 to 1974.
![]() HIGH NOON GRAZE BY KYLE PALIOTTO |
In the post-war housing boom, a lot of developers were putting up tract homes, but Eichler wanted to bring good design to the masses. “He wanted to bring the outside inside and the inside outside,” Heller explains.
Rather than faithfully portraying the total house, the artist leads the viewer on a path to the front door or the triangles of a carport. His works hint at the complexity of the designs as well as offer a visual slice of Southern California life.
These days Heller is also imagining his next series, which involves stepping inside the retro residences to portray their interiors. His paintings are on view October 17-November 30 in the annual Realism Invitational at Klaudia Marr Gallery in Santa Fe, NM. He is represented by Terrence Rogers Fine Art, Santa Monica, CA.
![]() RELIEF BY KYLE PALIOTTO |
Landscape painter Kyle Paliotto lives in the small northern Idaho town of Hayden. He moved there three years ago from San Diego, CA, and hasn’t looked back. For some artists, Southern California can be a stimulating environment, but for Paliotto, the remote reaches of Idaho are where he feels most at home.
In San Diego, he recalls, he was chalking up some 40,000 miles a year on his truck driving to his various painting jobs—that’s house-painting jobs. Paliotto didn’t have enough time for his fine art career, nor was he making enough money from it. “It was just tough to make a living there,” he says. “I was making a living as a house painter, and I had to decide if I wanted to paint other people’s walls white for the rest of my life or make a life as an artist.”
![]() EICHLER HOUSE WITH RED DOOR BY DANNY HELLER |
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